Je viens de voir le clip de "A Scarcity of Miracles" posté sur DGMlive, c'est vrai que c'est moche visuellement mais c'est rien à côté de celui où il est avec le groupe de sa femme qui fait une reprise de "These boots are made for walking" :
(remarque, à part qu'il a fallu forcer sur la luminosité et la saturation pour cacher ses rides en gros plan, la mère Toyah est quand même assez canon pour une femme de son âge...).
Et pour la musique, ben comme le laissait entendre Fripp dans son journal (entrée du 17 mars 2011), c'est de la chanson structurée et non de l'impro, plutôt donc dans l'esprit de la période Sinfield (je résume pour ceux qui ne parlent pas angliche comme Daniel ADT... Fripp a écrit précisément :
Unexpectedly, the JJ & RF project became a ProjeKct, via JF&C and JF&C with L&H. Unexpected, but not surprising given the Crimson gene pool. And, for the first time since 1981, there is more English in the genes than American, in the ratio 4:1.
This unexpectedness is welcome: it suggests there is more going on than could be predicated merely on what has gone before. And yet, once here, there is familiarity; like meeting a close member of the family for the first time, one whose education & upbringing was elsewhere & outside the family town. If we were looking for precedent, such as while arguing for a particular Crimson line of development with former manager SG Alder Esq. of EG, this might be along the lines of song-based Crimson; in distinction to a developing Crimson instrumentality after 1972 with Larks’, Fracture, Red and onto Discipline et al. Songs are always problematic because they come with both lyricists and singers, sometimes the functions combined. That a given, I enjoy playing with good singers more than anything.
Jakko is a first-generation Crimson-child whose life-courses were re-directed by the early KC albums plus live Crimson at Watford Town Hall on July 15th. 1971 and Hyde Park on September 4th. 1971. )
This unexpectedness is welcome: it suggests there is more going on than could be predicated merely on what has gone before. And yet, once here, there is familiarity; like meeting a close member of the family for the first time, one whose education & upbringing was elsewhere & outside the family town. If we were looking for precedent, such as while arguing for a particular Crimson line of development with former manager SG Alder Esq. of EG, this might be along the lines of song-based Crimson; in distinction to a developing Crimson instrumentality after 1972 with Larks’, Fracture, Red and onto Discipline et al. Songs are always problematic because they come with both lyricists and singers, sometimes the functions combined. That a given, I enjoy playing with good singers more than anything.
Jakko is a first-generation Crimson-child whose life-courses were re-directed by the early KC albums plus live Crimson at Watford Town Hall on July 15th. 1971 and Hyde Park on September 4th. 1971. )
Cette chanson-là rappelle beaucoup les trucs de Sylvian & Fripp. Je craignais un peu que Fripp ne fasse que des soundscapes et que Jakko doive se taper tout le boulot à la gratte mais ça n'est visiblement pas le cas. Bon, j'attends de voir la suite (et j'espère que ça va aussi remuer un peu plus de temps en temps)...
Ca y est je l'ai passée avec le son...ça n'a un peu aucun intérêt comme musique? En tout cas, la vidéo est honnête: ce n'est pas du tout rock'n roll.
RépondreSupprimerAu moins ça ne fait pas mal aux oreilles.
Et pour these boots, lol comme on dit. Il prostitue sa femme maintenant bobby?
je crois qu'elle n'a pas besoin de lui pour ça...
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